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Watching Bwana Devil in 3D at the Paramount Theater, Hollywood, 1952, JR Eyerman
JR Eyerman famously captured this photo of a formally-attired audience sporting 3D glasses during the opening night screening of the movie -Bwana Devil- (the first full length colour 3D motion picture) at Paramount Theatre, Hollywood. The film is set in British East Africa during the early 20th century. It is based on the true story of the Tsavo maneaters, a pair of lions which were responsible for the deaths of a number of construction workers on the Kenya-Uganda Railway, from March to December 1898. Although panned by the critics, the movie started a temporary 3D boom in the US film industry from 1952 to 1954. The advance of television halved the movie attendance from 90 million in 1948 to 46 million in 1951 and the movie studios tried desperately to lure the audience back into the theatres with many innovative techniques, among which were National Vision, Cinerama and other unsuccessful 3D ventures.

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Visit to download kens corner, volumes 1 & 2

cubagallery:

Via Flickr: Ocean   

prostheticknowledge:

Angles Mirror by Daniel Rozin

Interactive installation using a triangular method of representation with a motorized array:

The “Angles Mirror” rejects the idea of building a picture based on relative lightness and darkness. Instead, it explores a system of linear rotation that indicates the direction of an object’s contour. A wall-mounted sculpture, the “Angles Mirror” is a sharp triangular block of steel, dotted with yellow indicator arms that pivot. Based on the isometric grid, its structure favors the patterns and angles found in an equilateral triangle. The arms, which do not have the ability to change brightness or luminosity, use input from a camera and reconstruct the view with areas of varying angles. The negative space surrounding a viewer is translated into horizontal lines on the picture plane. Rather than creating a photorealistic image, the three-dimensional movement of a figure is represented, visualizing optical flow as viewer’s proximity to the sculpture changes. A nuanced contour results, as the viewer shifts back and forth, altering how the structure of space is perceived. Similar to “Fan Mirror”, in the “Angles Mirror”, the sequence of movement across the picture plane is directed in part by its audience. When the viewer walks away from the work, or chooses to view the sculpture from a distance, a series of predefined images and transitions cover the object’s surface.

There are more examples of Daniel’s interactive and alternative ‘mirrors’ at the Bitform Gallery’s Vimeo page here

(via proofmathisbeautiful)

yodamanu:

La vie aquatique, Strasbourg, January 2013.
scanzen:

thekhooll:

Soyuz
Blueprint of a Russian Soyuz rocket. Click here to view big..!

omg this is beautiful
edit: this is BIG
laurabfernandez:

A few minutes of sunlight.
©2013laurabfernández
mrdiv:

pyramid_ball

Out soon on Kathaus Records!

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